![]() ![]() ![]() Other forms of evidence about the artist’s private life are almost nonexistent. It’s important, Fairbrother says, to “keep one’s eye on the differences between the things Sargent presented to the public and those he anxiously kept from scrutiny.” ![]() Never exhibited publicly during the artist’s lifetime, these images, in Fairbrother’s view, illustrate the extent to which Sargent compartmentalized his life. Together with a large nude study of a strikingly good-looking African American model, these intimate drawings form the backbone of Fairbrother’s argument that Sargent’s sphinxlike public facade successfully deflected attention from his passionate homosexual sensibility. Also exhibited for the first time as a group was an album from Harvard’s Fogg Art Museum of 30 charcoal drawings of well-built men. Organized by Trevor Fairbrother, Seattle’s former deputy director and curator of modern art, the survey incorporated all of the works in the recent exhibition that appeared at the Jewish Museum in New York, “John Singer Sargent: Portraits of the Wertheimer Family,” as well as other London portraits and watercolors and oil sketches created during Sargent’s travels. 1917–20, wasn’t exhibited during Sargent’s lifetime. This nude study of the strikingly handsome Thomas E. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |